Koshiro Takeshi

A part of the Gekiga Roadshow You Can find reprints on auction sites

One Shot 7 of the Gekiga Roadshow and re-recorded as an appendix in "Godzilla All Movies DVD Collector's Box (19)"

A One-Shot collected in Godzilla All Movies DVD Collector's Box VOL.12 Part of the Gekiga Roadshow

Gorgeous professional baseball manga featuring real baseball players. In 1965, Arashitaro, a boy who grew up in an orphanage, appeared at the Tamagawa training ground of the Giants, and showed off his ability in pitching and hitting to Sadaharu Oh and manager Kawakami. Just when the scouts wanted to become a giant force, Arashi's rival Kosuke Kira threw a ball that hit him in the shoulder, leaving him unsure if he could succeed as a pitcher. Goro Tatsumaki, a habitual scout, plans to trick Arashi into joining the Giants' rival team, the Toei Flyers, by tricking him into joining the team. Deceived by this, Arashi signs his contract. Will Arashi be able to join his dream of joining the Giants? Or are you going to join the Toei Flyers as it is? (First appearance: "Weekly Shonen King", published on August 14, 1971)

The long-awaited digitization of the original baseball manga by Takeshi Furushiro, who worked on many of Ikki Kajiwara's originals, such as "Ore to Kaneyan", "Fukeyo! Kamikaze", and "Hiko Densetsu". Sansei Tenma Ryuhei, a Japanese Brazilian from Brazil, is extremely weak when it comes to alcohol and women, but he has an outstanding sense of pitching. He needed 10 million yen to help a woman he met by chance. Therefore, Tenma joined Keio Phoenix, a weak professional baseball team, in order to receive his contract money. He's about to face his first fight.

(from fukkan.com): "For the next 30 Minutes, your eyes will leave your body and arrive in this strange moment in time..." \--(From Tsuburaya Productions' "Ultra Q") You can read the masterpiece of that imaginary tokusatsu series in manga form. Don't miss the gripping action with Jun Manjome and Yuriko Edogawa. ≪Description of the work≫. In 1966, when the penetration rate of black-and-white televisions exceeded 90%, TBS's "Ultra Q" which began airing in January, quickly became a popular program with viewer ratings in the 30% range. Until then, the program offered free weekly encounters with Tsuburaya's monsters, which could only be seen in movie theaters during spring and summer vacations. It was no wonder that children waited 1001 days for the Sunday night 7:00 p.m. broadcast. In the publishing world, which is sensitive to the anticipation of the times, Kodansha was the first to recognize the potential of "Ultra Q". Ten months before the TV broadcast, the company began serializing the manga in the monthly magazine "Bokura". After the initial serialization it was subsequently ceded to a rival, Shueisha's Shonen Book took on the challenge of the first comicalization in its spring vacation extra issue a year later. The first volume, "I Saw a Bird" was drawn by Ken Nakajo, who later established his own era with a series of martial arts manga. The magazine received overwhelming support from readers, and Ken Nakajo also published his new drawings in a large-format book called "komix" at the time. Many of the 10 chapters created by Nakajo are long stories with few page restrictions, and they can be said to be a model for TV Manga adaptations. Volume 2 Gomez, awakened from an ancient slumber, goes on a rampage, Garamon arrives from space and destroys the city, and a money-hungry child transforms into Kanegon. This is the second installment of the TV series, with an original episode added. This is the only book where you can read the unproduced "Rose of Mars," which only has a script by Tetsuo Kinjo. In an era before DVDs, let alone Beta or VHS recorders, stocking television programs was a pipe dream. Even if you wanted to watch it again, you had no choice but to patiently wait for a rebroadcast. The only way to relive the thrill of television and satisfy your desire to own it was through comic book adaptations. Shueisha's "Shonen Book Comics Ultra Q," which was released in 1966 in conjunction with the original broadcast, sent boys and girls enthralled with the TV monsters running to bookstores every time. Due to viewer demand, "Ultra Q" was scheduled for a rebroadcast starting the following summer. To celebrate, Shonen Book included a comic book adaptation by Takeshi Kojo as a supplement for four consecutive months. Kojo's works deliberately do not stick to the TV version, but instead pursue original stories using familiar monsters. The rebroadcasts were well-received, and by November, halfway through, a new comic book adaptation began publication in "TBS Comics," a magazine launched by Umeda Produce Center. Artist Joji Kido is a talented artist who has been active in the world of rental comics since the age of 15. All five comic adaptations are short but highly acclaimed, and in particular "Rose of Mars," published in the January 1968 special issue, is a phantom work for which Kinjo Tetsuo wrote the script but which was never produced due to various circumstances. Additional Info

A masterpiece baseball manga created by Ikki Kajiwara, the great manga author who created representative works of the Showa era such as "Tomorrow's Joe", "Star of the Giants" and "Tiger Mask". Katsu Sanshiro was born on the day when Kaneda Kaneda Shoichi defeated the golden rookie Shigeo Nagashima with four strikeouts. His father recommends baseball, but Sanshiro is a mischievous boy who prefers professional wrestling and fights to baseball. (First appearance: 1973 Weekly Shonen King)

Let's go! Let's go! \----Barom Cross!! "Superman Barom 1", born from the power of friendship, is the hero who exploded all my yearnings and dreams. \----Takao Saito The Great Universe ---- There were two wills that continued to fight for thousands of years. Copou, the will of peace and justice, and Doruge, the personification of evil will. After a fierce battle, Doruge hid in the depths of the earth and unleashed ominous demons on the ground to destroy humanity . Copou also arrives on Earth to thwart his evil ambitions , but he realizes that fighting Dolge head-on would produce enough energy to destroy the Earth . At that time, Copu finds Kentaro Shiratori and Takeshi Kido, who are desperately fighting to protect their classmates from Dolge's fighter Antman, and decides to entrust the future of the earth to their sense of justice and friendship. Kentaro and Takeshi, who were given can protect the earth, or rather, the entire universe from the great demon Doruge!?!!

Kamikaze has hit the Japanese pro-wrestling world in a big crisis!! "Ore and Kaneyan'' brought to you by the duo Ikki Kajiwara & Takeshi Kojo A story of a passionate pro-wrestling boy. First book version!! Synopsis After Rikidozan's death, the Japanese professional wrestling world was in a big crisis with the World League match just around the corner. Giant Baba, the athlete's president, follows Rikidozan's will and searches for a kamikaze in the mountains of Hida that will blow away this crisis... Can Daisuke Kamikaze, the boy secretly raised by Rikidozan, become the kamikaze that saves the world of Japanese professional wrestling? Explanation "Fukiyo! Kamikaze'', serialized in "Bokura'' in 1966, is a professional wrestling boys' manga originally written by Ikki Kajiwara. He has also worked with Takeshi Kojo, who was in charge of the animation, on works such as "Ore to Kaneyan'' and "The Great King.'' This work "Blow! Kamikaze'' depicts a boy who devotes all of his youth to pro-wrestling for the Japanese pro-wrestling world. /span>Now is the time to deliver a professional wrestling manga that condenses the "promise" of Kajiwara's elements!!This time, we have reprinted the original manuscript of this work, which has been long awaited for 40 years since its serialization in "Bokura''. This work is reminiscent of Ikki Kajiwara's debut work "Champion Futa''.